She knew he knew. She liked knowing he knew. She spent so much time re papering the inside of her head she didn't hear his pain, that was a relief.
Dilemma
I was advised recently by an art critic that removing text from my work would make it more powerful. He offered his tips (I didn't ask for them!) generously and without prejudice. Work should speak for it's self and I should stop trying to control the narrative. I can see what he is saying. I only use text in my sketchbook and not on 'stand alone' pieces. But this has got me thinking. I do tend to work instinctively and the words are meant to illuminate not dominate. If any of you read this far I'd love to hear other opinions. Are the words a distraction?
Sunday, 22 June 2014
Thursday, 19 June 2014
Old Sketchbook pagesSometimes roses
Tuesday, 17 June 2014
Moleskine Pages- Look Behind Me
I smile with open eyes never knowing which way the wind is blowing. Everything carries on breathing while my back is turned, then dies.
Sunday, 15 June 2014
Moleskine Pages- A Plague Of Angels
Friday, 13 June 2014
Moleskine Pages- The Sin Eater
The sin eater would absorb everyone's transgressions till her very DNA hummed with danger. Her serene skin held in a sausage of unspoken fury. He misread her signs and risked his all.
Tuesday, 10 June 2014
Sunday, 8 June 2014
Moleskine Pages- Bobby
I looked into my own eyes but I couldn't see the sea. I was still a long way from home. I was born behind my bedroom curtain in the dead of night. My mother was talking dirty in another room. Neither my mum or dad ever knew I was missing. I was too bad to tell them.
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